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Oscar Wilde

@oscarwilde · 528 excerpts

“I adore simple pleasures,” said Lord Henry. “They are the last refuge of the complex.”

Ernest. The critic, then, being limited to the subjective form, will necessarily be less able fully to express himself than the artist, who has always at his disposal the forms that are impersonal and objective.
Gilbert. Not necessarily, and certainly not at all if he recognises that each mode of criticism is, in its highest development, simply a mood, and that we are never more true to ourselves than when we are inconsistent.

“Laughter is not at all a bad beginning for a friendship, and it is far the best ending for one,” said the young lord, plucking another daisy.

Who cares whether Mr. Ruskin’s views on Turner are sound or not? What does it matter? That mighty and majestic prose of his, so fervid and so fiery-coloured in its noble eloquence, so rich in its elaborate symphonic music, so sure and certain, at its best, in subtle choice of word and epithet, is at least as great a work of art as any of those wonderful sunsets that bleach or rot on their corrupted canvases in England’s Gallery; greater indeed, one is apt to think at times, not merely because its equal beauty is more enduring, but on account of the fuller variety of its appeal, soul speaking to soul in those long-cadenced lines, not through form and colour alone, though through these, indeed, completely and without loss, but with intellectual and emotional utterance, with lofty passion and with loftier thought, with imaginative insight, and with poetic aim; greater, I always think, even as Literature is the greater art.

You don’t know what an existence they lead down there. It is pure unadulterated country life. They get up early, because they have so much to do, and go to bed early, because they have so little to think about.

Can’t make out how you stand London Society. The thing has gone to the dogs, a lot of damned nobodies talking about nothing.

Well, she wore far too much rouge last night, and not quite enough clothes. That is always a sign of despair in a woman.

Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.

The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium.

There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.